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Correspondence and activities to honor the dead ...

image .. Michele Lee Phelan

Correspondence and activities for Samhain

Moon Blood Moon

Symbols

bonfire, candle in the window, Calderoni, Brooms, Pumpkins, Cats, Dogs and Bats, pumpkins paintings, photos of the deceased, Apples, autumn leaves, autumn flowers.

Divinity

Crona The appearance of the Goddess, The dark side of God, Hecate, Cerridwen, Cernunnos, Osiris, Isis, Anubis and Hades.

Colors Black, Orange, Red

Traditional Foods

Apples, corn, potatoes, pork, beef, nuts, cider, mead, pumpkin, Beer, Dolcetti of Honey, Herbal Tea, Pomegranate.

Herbs

Cardo, Chrysanthemum, Broom, Oak leaves, fern, Mint, Artemisia, Sage and Rosemary.

Incense

Apple, Nutmeg, Sage, Mint, Myrrh, Patchouli

Gems

Obsidian, snowflake obsidian, onyx and cornelian.

Patchouli essential oils, cypress and myrrh

mythological animals and

Bats, dogs, cats, Phooka, jellyfish

(I would say even the raven ..)

activities Samhain ..

Samhain is the beginning and the end of Pagan. At this time we reflect on what has happened during this year. A person can not (or at least could not) allow the Wheel of the Year 'to run without any kind of internal examination. We must try to learn from our actions and

find ways to live better in the year to come.

Go pick apples.

drink hot apple cider and spiced with cinnamon to honor the dead.

Bury an apple or a pomegranate in the garden as food for the spirits who were passing by in their road to revival.

Learn how to make and use the runes are very easy to make: salt dough, with das, written on wood, pebbles.

with friends Watch the Rocky Horror Picture Show.

Make animated pumpkins.

Take a candle for the spirits (E 'a white candle on which you dropped a few drops of patchouli oil).

Place three bowls on the table. In a place water in a wine and one with the earth. Blindfold a friend and let them dip their fingers into one of three bowls. Water is successful, the wine is Marriage and the earth is the work. You will have a small response.

Adopted a new wand. Select a tree and choose it among the fallen branches.

Give sweets to the children you know.

(If you do it on the street will stop me)

Make a feast of the dead.

read the cards with some friends.

Look for all the spiders in the neighborhood and greet the day of Samhain. Ask them to give your dreams the strength of their canvas.

Before going to bed, sit in front of a mirror a room lit only by the moon or a candle. Ask a question. Then cut an apple into nine pieces. Get back in the mirror. Eat 8 pieces and throw the ninth behind the left shoulder. Then turn left and head always look in the mirror. You will see a picture or symbol to be a response.

wear a dress that reflects what you want to manifest in the new year.

Throw some nuts in the fire, burning with no problems if one of your wish will come true.

Use this as an opportunity, if you have not already done so, to talk about what you believe, without fear or hesitation.

play hide and seek.

Fate of the stones of dreams, accompanied by a prayer of dream vision.

Make a personal reflection on life, death and rebirth.

Hang the apples and the first bites a person who will be the first to marry.

Open the door of your house and leave it open for five minutes, allowing the spirits of Samhain to symbolically enter.

Watch the flames of the candles you lit. If one becomes slightly azzurina, perhaps a Loved One is around.

Make trick or treat your friends and dazzle them.

gather nuts with your hands if you take your love is unfaithful odd, if there is true equal.

It is said that if you sleep under a hawthorn tree at Samhain, the fairies will come to rapirvi.

go mushroom hunting!

Take a rope witch.

Give a friend a small gift from Sabbath.

Make a New Year's celebration.

Go near an oak tree and knock three times on the bark.

Make a mask.

Take a meditation on the past life. You will have special insights tonight.

Let the milk and honey to the spirits of the forest.

Burn Artemisia.

Buy a tablecloth and orange falzolettini blacks.

winter seccatele Gather herbs for your handouts.

Take a ghosttour.

Ring a bell at midnight, 30.

Take a photo of a person who is not now more and remember the past that made you feel good.

Choose and crowned a king and a Queen of Winter, the counterparties of Beltane.

Learning a new form of divination such as runes or ball, or divination by the mirror.

Sit in a circle and raccontatevi scary stories, fear.

Fate of divination, by whatever means you feel appropriate.

Tell the story of Demeter and Persephone.

Cut an apple on the altar showing the star and say, "This is the fruit of life then of death. "

find a branch of oak, lime, hazel, helmet, willow or birch.

Look at pictures of relatives and ancestors.

tell the stories of each.

Make faces in apples.

Make chains of apples, obtained by cutting the paper, putting on each apple, the name of a person dear to you is now gone.

Tie a string as an expression of what you hope to be manifested in the year to come.

Let this be the traditional time for make candles for the new year, filling them with color, power, herbal and aroma depending on the need and purpose.

Take stock of your life, write down what you wish would go away and burn with a candle on the altar.

Place the pomegranate in plain sight, a beautiful basket.

take a broom

already ah .. I forgot the / sources / i..

www.stregadellemele.it/main4.asp?pag=samhain

www.stregadellemele.it/main4.asp?pag=samhainspec

www.stregadellemele.it/main4.asp?pag=samhainarticolo

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follows

Greek words

Pentadattilo ; pentedàktylos five fingers

Stilo stùlos column

Spilinga spèlugga cave

Papaglionti papas don Andrea Andreas

Dinami dunàmeos power

Calimera ; kalemeron good day

Calispera kalespèra good evening

Galatro chàradros ravine

Nao Naòs Temple

- à

- ; as (- άς)

abundance of trees

country ; ; trees

Caridi walnut

Dasà area wooded

Melicucco Melicucco place, that hackberry

Card ; ; Cardeto

- aci - ace

- àkion (- άkιον)

diminutive

Monasterace small convent

Statues small stream

Gerace falchetto

Colaci                                                        nicolino

- ico - ica

- IKOS (- ιkòς)

possession

country possession di un

               briatico                                                briatis

               francica                                               franco

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Alpaca new mother-Alpaca new mommy

Alpaca has had her kittens in the cat tree, thought to be a safe place. Alpaca is a seal point ragdoll born in my house and became a mother for the first time. The five kittens are doing well, two and three are in the mink traditional variety.

Alpaca HAD her kittens in a scratching post, she Thinks it is a protected place. Alpaca is a seal point ragdoll born in my house. She has Become mother for the first time. These 5 kittens are fine: Of Them are two and three are traditional mink ragdolls ragdolls.

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Leonie is a mother and grandmother / Leonie is mommy and grandma



Leonie, my blue solid ragdoll, she became a mother of three kittens in late July. They now have two months, but sometimes still suck milk. Leonie's daughter, Alpaca, had puppies for the first time in late September. Both live in my kitchen with their kittens. This year Leonie has had only three puppies in the traditional variety, no solid ragdoll.


Leonie, my blue solid ragdoll, Had three kittens at the end of July. Now her babies are 2 months old, But sometimes, They still suck milk burdens.
Leonie's daughter, Alpaca, Had five kittens for the first time at the end of September. Both live in my kitchen With Their kittens. This year
HAD Leonie has only three traditional ragdoll kittens, no solid ragdoll kittens.

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- adi
- Adhesives (- άδες)
descendants of a family

country family
Jonadi Jona
Ricadi Riga
Limbadi Limbo



- oni
- ones (- ωνες)
descendants of a parent

country head of the family
Candidoni Candido
Conidoni Conidi
Mandaradoni Mandarano
Pannàconi Pannaci
Stefanaconi Stefanac

abbreviated
country abbreviation greek family
Triparni Tripàroni Trupàrones Trupàres
Rosarno Rosàroni Rusàrones Rusàris
Gerocarne Gerocàrone Jerakàrones Jerakàri

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toponymy toponymy

Toponymy

On August 13th of this year we presented to the Museum a new topic / category: place names: the study of place names.

The evening developed with the following lineup:

regional toponymy

local toponymy

regional routes and local

historical report on the State Arena Eng. Antonio Tripodi

photographic series on the transport of men and women.

For regional place names, reference was made to the text: "Calabria and Salento Essays in linguistics "by Gerhard Rohlfs.

The topography is a light on that part of history so old as to have no other document than that given its name from the site. Place names can often tell who originally owned the place, to which family, to which parent, who was its owner, the type of place, the presence of trees or other plants, the morphology of the land and so on .

The topography is therefore an identity card of the place.

Fundamental is the final part of the names.

- and adi - oni endings are Greek (blue background) from which we obtain the names of families or the householder who founded the town.

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carcara

Carcara

The Latin etymology says that the "calcareous Fornax is the furnace of the lime: the calcified stone and cooked just the" carcara "was later used in the construction of the houses after was dissolved in a suitable ditch with water. The "carcara" is so real that still exists in Sambiase of Lamezia Terme.

By extension they are also called carcare furnaces, quite common in the countries, for baking bricks and "argagni" Grasta, baking, salting, tiasti and the like.

Dasa also had his carcara, belonged to the family of Ciccio Glaser, my grandfather bought. His daughter Marianna Glass, my mother-in-law, worked many years at carcara father and explained to me that ...

was first excavated the clay (white tiles, red bricks) with hoes and picks, is carried on the heads of women with their baskets and then left calìjare few days. When you ntostava ammojava 'nt mitraru (a square pit filled with water until the clay is not s'mbbonava well).

'nt mitraru manija the clay with a shovel, s'mpaticava like grapes in the winery to make a smooth paste and ready for processing.

The workbench is scattered rina fine clay that is not sticky (like the flour in the cupboard when schiana bread). The clay had to be clear: there is gross u mattuni crash. On special muadula (forms) is laden with the clay with his hands and went to a cordèja spagu torciuito around the same module to remove the clay from its shape (a window to the bricks).

We had then let it dry the bricks so worked (up to a thousand a day) making calìjare the sun for a few days. Were arranged on the floor in orderly rows like an army of child soldiers, placed in a horizontal wall, a roof without walls. When the bricks were dry means you gabbittavanu: s'incastèjavanu because they occupy less space and are more easily architraves in case of threat of rain: there were no plastic sheeting to repair and had to cover them with visuals 1000 1000 ceramìji.

Days of precipitation were holidays imposed by nature, you could not work. If the water scorcciava bricks not yet cooked, these were made tignusi, parianu du vajìualu and had to melt back, come back all over again

Finally, when the number of bricks was sufficient for a batch is coming to carcara, the furnace up to five meters high and two meters wide. Below were the mattuni, three, four sual; ceràmiji in the middle of the four other five sual; over large visuals (for foculari and furni) and Stritt for the floors of houses and pignati drilled for the fifth and the gable houses.

Continued ...

Continue the work of this small industry of human effort alone (arms, legs, heads, sweat) mixed with earth, the sun, fire.

In carcara are also cooked pignati pa 'suriaca, Grasta, Cortaro, gouaches in the zone, that is outside of our production cycle concetrato on bricks.

We also did brìasti taju of which were not cooked in carcara: earth, water, sun and, occasionally, the straw to aggregate more about this natural brick, heavy, compact, but very good to insulate our homes from the heat of the sun and the rigors of the cold.

carcara to Sambiase The fire of the furnace of the lime, he knew of Dante's Inferno: it had to be very strong and last several days to get to cook the lime. The bricks of our carcara needed a longer cooking light: only twenty-four hours of constant fire. So much so that there is roasted potatoes, peppers and 'i cu na vijiozza Sula fusca.

A vucca by furnace was closed timpagnu nu cu 'i CRITA; its base, however, was made by a structure of nu sualu taju full of holes for passing the heat: such as pan of roasted chestnuts. The fire was appicciatu civatu and taking care not to make a lot of smoke to the non annigricare mattuna. To control the firing was necessary to addunarsi quadriatti, the visuals made up: they were finally were red when cooked.

The bricks were left to cool for three or four days, unless there was an urgent job for which you came to remove from the oven still warm with the help of squares.

came the reward of hard work: 100, 1,000, 10,000 pounds depending on the ages and number of units sold. In time of war is not circulated pounds. 1000 bricks were worth nu tumanu Ranu, 100 ciaramìji stuppìaju nu 'i suriaca, 50 visuals quartu nu' i migghju.

carcara From Ciccio Glaser has left the bricks and roof tiles of many houses Dasa, neighboring countries and even further away: we were also committed by Miletus, Francica.

Today carcara not smoke more its human labor, no longer produces its bricks that survive roofs and walls of our homes. A forgotten carcara lies further down the cemetery, hidden by rubble and tangled Sipala. Progress has exceeded even erased from memory, only the name of the place survives.

I ceramìji all'eternit have given way: the natural products have been replaced by industrial products, cold winter, hot summer and carcinogens throughout the year.

The setback in our progress.

Mimmo Catania

Names Of The Parts Of Older Wooden Sailboats

Diary overboard

Mastro Peppino

was winter and the sun had already gone to bed for a while ', we stood next to his old cast-iron stove as the mother hen chicks. A few blocks of wood and a beautiful warmth to talk. Here's a picture of Master Peppino dearest to me in my scrapbook.

When you are thinning the last echoes of the show in August, sobered file crowd of endless explanations, photos, signatures, interviews, resume sleepless vigils worn by lathe of an idea, a realization drawn in the mind, but his hands have not yet given birth. Anxiety wins the sunrises, the beats on time because every pregnancy desires his birth. Then return your hands to the wood of olive, chestnut, walnut instruments resound their cadence, revives the potiχa: Peppino is the master work.

he sat in the square his well-earned rest, with cronies to disentangle the intricate Sipala village of discussions, the background noise of 'Amelle. One day master Peppino companions and leave the square and dates back to ancient words potiχa family, sweeping away the dust and neglect inertia and gets back to work.

is a return. In his job at the school of his father, the frame of the mother, catus plot of the long braids and cannavu jìnestra patient goes to roost, trades disuse disused instruments, saitta to the mill, the coaming of trappeto, the chariot, the pirùaci, to touch, to load at the Solomon's knot, masterfully chained to the rings, the oldest memories, with the most intimate, to their loved ones.

Wood is the raw material, work in the power waiting to be pulled out of his shell, art hidden under the persistent bark that surrounds it. The consummate skill of the wood weighs hands, eyes will study the veins and with painstaking thoroughness, one touch at a time, the task is accomplished.

potiχa The master of Peppino faces the street and with its top open Menzino is an open window on a world now gone, on hard work and skills lost, abandoned along the trail up memories of the time. Even the old great-uncle, who died prematurely, living a second life to make up for the first negatagli by fate. A sketch on a simple and fragile piece of paper ripped from oblivion a face, it has saved the contours otherwise deleted. Condemned to be forgotten before the others and more than others, they survived.

Life has handed over to witness this great-grandson, has made himself a witness to the world and master Peppino, with consciousness and stubbornness, plays his role to the end. Let us pause at this winter's evening advanced, its potiχa, warmed our hearts the warmth of a time that has been and may continue to be.

His works in wood need a last step: the wood worm against the indifference and forgetfulness. A 'last hand that it is for us to give, and then, only then, the work of master Peppino will be fully accomplished.

August 2010 Mimmo Catania