A program of the Museum of Ethnography Morigerati for the European Heritage Day: 27-28 September 2008
Voices of Women makes available a part of the Museum sound archive. The room devoted to artifacts, tools and textile machinery will be voiced by the voice of a peasant woman Morigerati that chronicles the life and work conditions, since the war to date.
Other biographical narratives will be offered in the listening room of the Museum through multimedia workstations individual.
I chose three interviews of women who write about themselves, family, country, work in Morigerati and out. Are synthesized stories through an 'assembly operation which I hope does not betray the original documents. In fact it is the interviews that have been omitted questions, breaks contracted and deleted some repetition and redundancy. I realize that these operations are often arbitrary, because the pauses, the repetitions are carriers of meaning in the context of a conversation, but I wished to make it easier to play and then adopt forms of synthesis.
The stories have been made over the past six years and those chosen give a good sense of these farmers' lives: of hard work in the fields of 'inability to attend school, of' extreme poverty, widespread social strata in amplifier, the first contracts workers to the rise of public works, of 'power of' child rearing. Listening to me crowded questions about what happened in the postwar years and I thought the leap that these communities have made very aware of the need for change. These women are, therefore, the protagonists of a radical change, not so much of their lives, but certainly those of children.
Voices of Women makes available a part of the Museum sound archive. The room devoted to artifacts, tools and textile machinery will be voiced by the voice of a peasant woman Morigerati that chronicles the life and work conditions, since the war to date.
Other biographical narratives will be offered in the listening room of the Museum through multimedia workstations individual.
I chose three interviews of women who write about themselves, family, country, work in Morigerati and out. Are synthesized stories through an 'assembly operation which I hope does not betray the original documents. In fact it is the interviews that have been omitted questions, breaks contracted and deleted some repetition and redundancy. I realize that these operations are often arbitrary, because the pauses, the repetitions are carriers of meaning in the context of a conversation, but I wished to make it easier to play and then adopt forms of synthesis.
The stories have been made over the past six years and those chosen give a good sense of these farmers' lives: of hard work in the fields of 'inability to attend school, of' extreme poverty, widespread social strata in amplifier, the first contracts workers to the rise of public works, of 'power of' child rearing. Listening to me crowded questions about what happened in the postwar years and I thought the leap that these communities have made very aware of the need for change. These women are, therefore, the protagonists of a radical change, not so much of their lives, but certainly those of children.
The logo of the program is Fausto Bonasera
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